If you were a middle-class Boomer kid in the 1960s or 1970s, there were certain magazines and easy to read books that set out to teach you about the world. Magazines like World of Wonder and Look and Learn. And then the vast Ladybird book series that covered everything from how to knit to Richard the Lionheart.
We had no Google to help us search for knowledge. And no smartphones for easy access to any number of research databases. No, if you were knowledge-hungry kid in the 70s, then you greedily thumbed your way through World of Wonder!
These publications stuffed your head full of facts. Whereas young people now tend to specialise and stick to their areas of interest, we couldn’t avoid being exposed to a much wider range of learning. Because we had far less choice in terms of information sources, we sucked up everything on offer. If my father brought home an encyclopaedia, I read the whole damned thing. Over and over again.
So the weekly edition of a magazine like World of Wonder was like manna from heaven for a Boomer child. It was from that mag, that I first learned about the 1500-year-old Hagia Sophia in Istanbul. And when Look and Learn ran a series about photography, this Boomer kid nagged his Dad until he had a Polaroid circa 1974.
My love of history began as a young child. What certainly helped to fuel it was the Ladybird book series. I’m still in awe of the cover illustrations, which have now become iconic and even mocked in satirical versions of the Ladybird books. Think about it though – the artist had only one shot at engaging a Boomer kid in some aspect of the world. When I saw these two books on medieval history, my addiction was firmly established and continues to this day.
From 1970 to 1977, this largely forgotten 1970s TV cop series followed Deputy Marshal Sam McCloud who hailed from New Mexico as he tried to learn crime fighting techniques on the mean streets of New York. On horseback. With a stetson. Played by Dennis Weaver who also starred in a creepy early Spielberg movie – Duel – about a man being chased across the American desert by a mysterious, psychopathic and faceless lorry driver.
This was a CBS series that ran from 1971 to 1976 about an overweight retired cop in Los Angeles who becomes a private detective. He had a penchant for fine wines and dining. Sometimes he would be fat shamed but would evidence in no uncertain terms that his girth was no obstacle to throwing a killer punch. In the series, the fictional Frank Cannon was a Korean war veteran while the actor William Conrad in real life had been a fighter pilot in World War Two.
3. Harry O
David Janssen had been famous in the 1960s for his title role in the TV series The Fugitive – later turned into a 1993 move with Harrison Ford. Harry O was quite a dark, sombre cop series but I really enjoyed it. There was something very compelling about David Janssen on screen. The gravelly voice and heavy smoker’s etched face. But the public didn’t agree with the young me. Barely made it to two seasons before this 1970s TV cop series was cancelled in 1976. The first season was based in San Diego but in season two, the whole thing was inexplicably shifted to Los Angeles with no explanation.
4. Hawaii Five-O
No – not the 2010 remake which I’d rather forget. This was the 1968 to 1980 original, which until 2002 was the longest continuous running cop show on American TV. It was shot entirely in Hawaii and dominated by the charismatic presence of actor Jack Lord as Detective Captain Steve McGarrett. When the criminal had been caught – McGarrett would always turn to the same officer and growl: “Book ’em Danno”.
5. Streets of San Francisco
This was my first exposure to a young Michael Douglas – starring alongside Karl Malden as two murder cops on the hilly streets of San Francisco. This ran from 1972 to 1977 and totalled an eye watering 119 episodes. And yet I’ve never seen it repeated like Kojak and Colombo – which are still broadcast today. I’m going to guess this 1970s TV cop series hasn’t aged well.
If you’re fans of Al Pacino then you’ll remember the 1973 detective movie by this name. What you may not realise is that three years later, Dino de Laurentis decided to produce a TV series based on the film with classical actor David Birney in the starring role. It limped to the end of a first season in 1976 before being unceremoniously canned. The consensus among critics seemed to be that Pacino had covered all bases and a TV series was entirely unnecessary.
A whodunnit where you know whodunnit from the outset – but the fun is watching Columbo reach your level of insight. The original run on NBC was from 1971 to 1978 and I think all Columbo fans would agree these were the glory years. It was revived in 1989 by ABC and trudged on to 2003 but less enjoyable. What I love is the cheesy 70s decor of the sets and spotting some great character actors chewing the furniture around the detective.
8. Starsky and Hutch
Saturday night in the 1970s saw Starsky and Hutch rule the airwaves – before Match of the Day and Parkinson rounded off the evening. Actors David Soul and Paul Michael Glaser played a brooding mid-western blonde and a Brooklyn short-tempered army vet respectively. David Soul also had a singing career and some hits in the 70s – being something of a teenage pin-up. The opening credits featured Soul as Hutch landing on the top of his Ford Gran Torino car butt first – which always seemed hideously painful.
9. The Rockford Files
Jim Rockford is a Los Angeles private investigator played by James Garner – an actor superbly cast for the role. He’s a hapless fellow always getting into scrapes with an I-told-you-so father played by Noah Beery. Sadly, Garner and Universal studios ended up in litigation over the profits from the series. It ran for six seasons throughout the 70s ending in 1980. And I think it’s still very watchable now as 1970s cop series go.
To me – Kojak was the king of the 1970s cop series. CBS aired it from 1973 to 1978 and the hard-bitten protagonist was instantly popular on British TV when it aired this side of the pond. Telly Savalas nailed the role sucking his trademark lollipop and observations delivered with maximum sarcasm. Watching it now, Kojak totally captures the danger and depravity of New York in the 70s. It’s a city where dark forces stalk the streets and any crime is possible. Politicians are corrupt and nobody can be really trusted.